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Breaking free of the Hungarian isolation, coupled with the inspiration of the vibrant, active contemporaneous scene, entailed the formation of a new language, which incorporated the devices of political actions into his works in addition to technical devices and political symbols.

An example of this tendency is his environment of the politische kunst (political art) from 1970, the Electroshock Automat, reconstructed specifically for this exhibition. Or his small objects made for his first exhibition in Germany, such as Anti-Apotheke Bakunin, which reflects on the early discourses of critical Marxism.